Penggunaan Audacity pada Pengukuran Nada Lantunan Kalero untuk Menelusuri Karakter Sosial Dou Donggo Masa Lampau
Keywords:
Audacity, Pengukuran Nada, Lantunan Kalero, Karakter Sosial, Dou Donggo
Abstract
Studi tentang penelusuran karakter sosial komunitas masyarakat di Kabupaten Bima, Nusa Tenggara Barat pada periodenisasi bersadasarkan penerimaan jenis musik belum dilakukan. Penelitian ini penting dilakukan untuk menelusuri karakter sosial masyarakat Donggo berdasarkan jenis musik yang dinikmati. Satu diantara beberapa lantunan khas Dou Donggo (orang Donggo) sebelum menggunakan alat musik alat bunyi adalah kalero. Penelitian dilakukan dengan menganalisis frekuensi, level bunyi dan nada lantunan kalero menggunakan softwere audacity. Frekuensi, level bunyi dan nada yang telah diketahui tersebut kemudian dihubungkan dengan kecenderungan karakter sosial yang terbentuk. Dari penelitian dapat disimpulkan karakter Dou Donggo Lampau yang ditelusuri melalui lantunan kalero adalah optimis. Tingkat keoptimisan bisa dilihat dari penggunaan kalero pada kegiatan-kegiatan spiritual keyakinan, pernikahan atau untuk menghibur keluarga kerajaan.
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Angela Lee. (2014). Implementing Character Education Program Through Music and Integrated Activities in Early Childhood Settings in Taiwan. International Journal of Music Education. doi:10.1177/0255761414563195.
Anja N. Hagen and Marika Luders. (2016). Social streaming? Navigating Music as Personal and Social. Convergence: The International Journal of Research into New Media Technologies. doi:10.1177/1354856516673298.
Arief Ramadhan. (2010). Mengolah Audio dan MP3 dengan Audacity. Jakarta: PT Alex Media Komputindo. ISBN: 978-979-27-6643-1.
Brian L. Kelly and Lauren Doherty. (2016). Based Activities in Social Work with Groups: Nondeliberative Practice and Engaging Young People’s Strengths. Social Work with Groups. http://dx.doi.org/10.1080/01609513.2015.1091700.
David Huron. (2015). Affect Induction Through Musical Sounds: An Ethological Perspective. Phil. Trans. R. Soc. B, 370: 20140098. http://dx.doi.org/10.1098/rstb.2014.0098.
Gualtiero Volpe, Alessandro D’Ausilio, Leonardo Badino, Antonio Camurri, and Luciano Fadiga. (2016). Measuring Social Interaction in Music Ensembles. Phil. Trans. R. Soc. B, 371: 20150377. http://dx.doi.org/10.1098/rstb.2015.0377.
https://archives.crem-cnrs.fr/archives/items/CNRSMH_I_2011_014_006_18/
Irnin Agustina dan Dwi Astuti. (2016). Pengembangan Alat Eksperimen Cepat Rambat Bunyi Dalam Medium Udara dengan Menggunakan Metode Time of Flight (ToF) dan Berbantuan Software Audacity. Upej Unnes Physics Education Journal, vol 5 (3). https://doi.org/10.15294/upej.v5i3.13725.
Jonathan Herz and Abdelghani Bellaachia. (2014). The Authorship of Audacity: Data Mining and Stylometric Analysis of Barack Obama Speeches. Proceedings of the International Conference on Data Mining (DMIN).
Jumraidan. (2018). Penanaman Nilai-Nilai Karakter Berbasis Kearifan Lokal untuk Melestarikan Budaya Daerah di SMP Negeri 1 Donggo Kabupaten Bima. Skripsi Universitas Muhammadiyah Malang. http://eprints.umm.ac.id/id/eprint/40847.
Kenneth H. Smith. (2010). Using Audacity and One Classroom Computer to Experiment With Timbre. MENC: The National Association for Music Education, Vol 24 (3). doi:10.1177/1048371310385421.
Larry D. Goosey & Farmington. (2015). Fishing Lure With Mechanically Actuated Lower Frequency Tone Generation Device. United States Patent Goosey. https://patents.google.com/patent/US9220247B2/en.
Laurel J. Trainor. (2015). The Origins of Music in Auditory Scene Analysis and The Roles of Evolution and Culture in Musical Creation. Phil. Trans. R. Soc. B, 370: 20140089. http://dx.doi.org/10.1098/rstb.2014.0089.
Mochammad Luthfi. (2012). Justifikasi Penggunaan Viscoelastic Pada Bearing dengan Eksperimen Menggunakan Program Audacity dan Autosignal. Prosiding Industrial Research Workshop and National Seminar. http://dx.doi.org/10.35313/irwns.v3i0.435.
Nazril Hayu Al-Maliki. 2018. https://www.youtube.com/watch?v=iygnGQHNDnQ
Ni Putu Asmarini, I Made Sudiarga, I Made Pasek Parwata, dan I Ketut Karyawan. (1998). Sastra Lisan Donggo. Depertemen Pendidikan dan Kebudayaan. ISBN 979-459-843-7
Nurjannah, Husnul Khotimah dan Sumiyati. (2017). Analisis Ciri Khas Pola Kehidupan Sosial Masyarakat Suku Donggo: Suatu Tinjauan Sejarah Sosial Budaya. Jurnal Penelitian dan Pengkajian Ilmu Pendidikan: e-Saintika, Vol. 1 (1). https://doi.org/10.36312/e-saintika.v1i1.4.
Ojesanmi OA, Lawal-Adebowale OA, Banmeke TOA, and Adeniran AA. (2014). Analysis of agricultural research institutes’ ICT integration and needs for research development in southwest zone of Nigeria. African Journal of Agricultural Science and Technology (AJAST), Vol. 2 (1). http://www.oceanicjournals.org/ajast.
Peter Just. (1986). Let The Evidence Fit The Crime: Evidence, Law, and “Sociological Truth” Among The Dou Donggo. American Ethnologist, Vol. 13 (1). https://doi.org/10.1525/ae.1986.13.1.02a00030)
Peter Just. (1987). Bimanese Personal Names: The View From Bima Town and Donggo. University of Pittsburgh- of the Commonwealth System of Higher Education, Vol. 26 (4). doi: 10.2307/3773594.
Retno Kartini Savitaningrum Imansah. (2017). Masjid Sultan Muhammad Salahuddin Bima; Arsitektur, Misi Agama dan Kekuasaan. Jurnal Lektur Keagamaan, Vol. 15 (2). doi:10.31291/jlk.v15i2.530.
Sarah Hawkins. (2014). Situational Influences on Rhythmicity in Speech, Music, and Their Interaction. Phil. Trans. R. Soc. B, 369: 20130398. http://dx.doi.org/10.1098/rstb.2013.0398.
Tom Rzeszutek, Patrick E. Savage and Steven Brown. (2011). The Structure of Cross-Cultural Musical Diversity. Proceedings of the royal society B. doi:10.1098/rspb.2011.1750.
Published
2019-09-23
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Articles
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